Don Howard, an Austin-based filmmaker and professor of film editing at the University of Texas, screened a series of films illustrating two of the primary sources of a documentary film’s power: cinematography and editing. In addition to his own two films, Nuclear Family and Letter From Waco (Best Documentary, 1997 SXSW Film Festival), Howard shared and discussed works by Werner Herzog, Chris Marker, Les Blank, Dziga Vertov, and others.

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