Organized in conjunction with Whitechapel Gallery, London, Ballroom Marfa is pleased to present the sixth season of Artists’ Film International, a program that showcases international artists working in film and animation. This year in the north and south galleries Ballroom Marfa will feature two video works, David (2012) and Death of a School (2014), by Los Angeles-based artist Nicole Miller.

Miller’s videos explore self-representation and self-presentation in narrative form as a tool for the reconstitution of both physical and psychic manifestations of loss. In David, a man re-tells the story of losing his arm in a brutal act of random violence while concurrently re-generating his phantom limb through exercises performed in front of a mirror. Interspersed throughout the two galleries, the four-channel work Death of a School is a predominantly silent and languid meditation on a soon to be shut-down school in Miller’s hometown of Tucson, Arizona where the artist’s mother taught for the majority of her life. Presented together, the videos embrace malleable identity as a function of the story we construct about ourselves as subject or artist—one in which representation not only mediates knowledge through fragmentation and negation but constructs it as well.

Additionally, each of the 12 participating institutions has selected one artist from their region whose works will be screened as part of the international AFI program. Ballroom Marfa’s center gallery has been transformed into an interactive screening room for the viewing of the entire selection of works for the duration of the exhibition.

Ballroom Marfa hosted a free performance of Avey Tare’s Slasher Flicks in the Ballroom courtyard with an opening performance from Party With Death. Slasher Flicks is comprised of Avey Tare, Angel Deradoorian and Jeremy Hyman, names you may recognize from Animal Collective, Dirty Projectors and Ponytail. Their album, Enter the Slasher House, was originally composed by Tare on acoustic guitar, then fleshed out with Deradoorian’s keyboards and Hyman’s drums. Attentive listeners may detect distinctive signatures of each members’ previous affiliations, but the Slasher Flicks sound is a world unto itself.

Enter the Slasher House is available on Domino. It’s currently streaming with Abby Portner’s pleasantly overwhelming album-length video of damaged VHS cartoon and horror movie imagery (see below).

A city-wide experiment looking at the intersection of artistic practice, climate change science, and civic engagement

MD / STL will take place in the St. Louis metropolitan area from July 30 – August 3, 2014 and bring together a diverse range of collaborators working in art, design, journalism, science, business, and activism to create new, thought-provoking projects. MD / STL challenges creative thinkers to present imaginative solutions to climate change issues in the Midwest and to enhance awareness of the impact our daily actions have on the global climate.

The MD / STL program represents the most recent iteration of Marfa Dialogues, which considers the connections between science, culture, and artistic practice. Beginning in 2010, past Marfa Dialogues programs have included symposia, projects, performances, and exhibitions presented in Marfa, Texas; and New York City. The Pulitzer is bringing Marfa Dialogues to the St. Louis area to position art as a catalyst for unexpected collaboration. This experiment is aligned with the Pulitzer’s current exhibition, Art of Its Own Making, which features artists who examine materials, environment, and how generative elements impact the works of art they create.

The Pulitzer, Ballroom Marfa and the Public Concern Foundation will organize programs including artist talks, town hall discussions, performances, and a community dinner. More information on the ongoing Marfa Dialogues project and the St. Louis collaboration can be found at marfadialogues.org.

For our fifth annual DJ camp Ballroom Marfa welcomed DJs Bigface and Faith Gay back to the Big Bend. The two veteran DJ mentors offered essential guidance in real-live party-rocking skills. Class participants received hands-on DJ instruction, holding it down on the dance floor, and designing flyers to promote their DJ party for parents and friends.

This five-day program was a hands-on experience, with students learning directly on DJ equipment and experimenting with mixing songs and sampling music. The classes were designed to engage the imagination of students from all musical backgrounds, and throughout the week our instructors highlighted other aspects of DJ culture, such as dance and visual art. While getting practical experience on the equipment is a core component of the camp, Bigface and Gay also presented DJing as an art form with a rich culture and history, with portions of each class covering the history of the DJ and basic music theory. During the week, students created DJ personas and design posters for display at the final event.

Classes took place at the Capri and the camp concluded with a free public performance by the student DJs at Padre’s Marfa on Saturday, July 5, 2014. 

DJ camp 2014 was open to all area students, and there was no fee to attend.

Marfa Book Company, Interdimensional Music and Ballroom Marfa presented the excellent duo, New Bums, consisting of cult-heroes Ben Chasny and Donovan Quinn, formerly of Six Organs of Admittance and Sky Green Leopards, respectively. The show took place in the Highland Annex in Marfa, Texas.

New Bums were started in 2013 by guitarist/songwriter Ben Chasny, known best for Six Organs of Admittance (and a member of Rangda, Comets on Fire and many others) and Donovan Quinn, a key member of the psychedelic folk group Skygreen Leopards. The duo came together to form the minimal project, New Bums basing their sound around dual vocals and spare instrumentation providing a cerebral and skewed look at the tradition of American folk-blues.

Marfa Myths was an annual music festival and multidisciplinary cultural program founded in 2014 by nonprofit contemporary arts foundation Ballroom Marfa and Brooklyn-based music label Mexican Summer. In 2014, the first year of the festival, Ballroom Marfa invited five bands from the Mexican Summer label to play for one day under the big sky at El Cosmico. As the festival grew over the following six years, the two organizations brought together a diversity of emerging and established artists and musicians to work creatively and collaboratively across music, film, and visual arts contexts. 

Ballroom Marfa presented a free concert by guitarist Marisa Anderson who played her latest songs behind the Marfa Studio of the Arts building. The concert was free and open to the public.

Combining boundless creative imagination with a deep reverence for American folk, blues and country music, Marisa Anderson’s guitar playing is fluid, emotional, dexterous and original. Signal to Noise magazine calls Anderson’s guitar work “Utterly fabulous”, Time Out London refers to her playing as “Stunning…haunting and evocative”, Pitchfork calls her latest record, Mercury, “Brilliant” and Wire Magazine says, “Her sound has strength in restless variety…Anderson’s playing is heartfelt and utterly American, free from grandstanding and steeped in respect for the old tradition.”

Recording primarily on the Mississippi Records label, Anderson’s work features improvisations and compositions inspired by Delta blues, West African guitar, Appalachian mountain music, vintage country and western, gospel, noise, rhythm, cycles, mortality, and praise. In performance, Anderson channels the history of the guitar and stretches the boundaries of tradition.

Before landing in Portland in the late nineties, Anderson dropped out of college at age nineteen to walk across the United States and didn’t stop traveling for fifteen years. Her music is a direct result of Anderson’s peripatetic existence, reflecting years of living in cars, tents and buses, traveling to Mexico with a circus, walking, hitchhiking and always playing guitar. She played guitar in the Dolly Ranchers and the Evolutionary Jass Band before going solo in 2009. In the past two years, Anderson’s music has landed her festival appearances in Europe and the United States and opening slots for artists including Godspeed You! Black Emperor, The Devil Makes 3 and Sharon Van Etten. In August 2013, KBOO Community Radio released a split 7″ featuring Anderson and Elizabeth Cotten.

As part of the Presidio County Fair, Ballroom Marfa presented a concert by The Doodlin’ Hogwallops on April 12, 2014 in Marfa, Texas.

The fair occured on April 12 at the big red barn on Golf Course Road in Marfa and featured contests in painting, collage, photography, breads, cookies, cakes, canning, pies, outdoor challenge, ranch horse trail, vet science, textiles and quilting. All those contests also had youth divisions.

That evening, starting at 6pm, folks were treated to performances by Presidio school mariachi and folkloric dancing troupes. Following those performances, from 7-9pm, was a free bootscootin’ dance for everyone by Big Bend favorites, The Doodlin’ Hogwallops. 

The fair was sponsored by the Presidio County 4H Parent Leader Association, a group of volunteers who help local 4H kids achieve their goals and dreams through different projects.

Ballroom Marfa presented a free concert by acclaimed songwriter Tish Hinojosa and her band on March 1, 2014 in Marfa, Texas.

When it comes to finding inspiration, sometimes you have to put a few miles between yourself and your hometown, or, even your country. This is exactly what Tish Hinojosa did for her 2013 album After the Fair.

Originally from San Antonio, Hinojosa spent nine years living, writing, composing, collaborating, and exploring in Hamburg, Germany. Moved by this funky corner of the world where the Beatles lived and performed, Hinojosa strolled the streets of the red light district, retreated to cafes, traversed the harbor, and paid homage to the museums and theaters dedicated to music appreciation which is never far from her heart.

The disc introduces her fans to a rich, layered sound of soul-satisfying brass, brings her children into the creative fold – her son, Adam Hinojosa Barker, wrote “Cobblestones” and her musician daughter, Maria Cristina, was the inspiration behind “Infinity Times Ten.” Hinojosa also serenades her idol, Paul McCartney, by translating and singing “A Certain Softness” in Spanish.

Having completed her album, After the Fair, with acclaimed Berlin musician and producer Moe Jaksch Jacksch, Hinojosa reestablished her Texas roots by settling back into Austin, her true home since 1988. The Austinite label is one she welcomes with open arms, not just for the triumphant return to margaritas at the Cedar Door, proper Mexican food, and quality thrifts thrift stores, but for the representation of a homecoming after an extended journey of exploration and self-discovery. Said Hinojosa of her return, “Austin will always be my home now.”

In keeping with the 2013 visual arts exhibition Quiet Earth‘s ongoing examination of humanity and its place amid the changing volumes of planet Earth, Ballroom Marfa presented C. Spencer Yeh’s improvisations on violin, voice, and electronics. Yeh joined by Messages, the duo Taketo Shimada & Tres Warren, for a performance on November 21, 2013.

Spencer Yeh was born in Taipei, Taiwan and now lives in Brooklyn. Yeh’s work emerges initially from an improvisational practice, having developed a distinct musical vocabulary with violin, voice, and electronics. As a composer Yeh expands his approach, often employing video and other mediums to integrate visual and aural experience while investigating the role of the gesture. Yeh has performed and presented work in a variety of venues internationally, including the New Museum, New York; the Contemporary Arts Center, Cincinnati; Issue Project Room, Brooklyn; Roulette, Brooklyn; ICA, Philadelphia; ICA, London; White Flag Projects, St. Louis; Performa; Lampo; Sónar; Frieze Music; and All Tomorrow’s Parties. He has collaborated with a variety of artists such as Nate Wooley, Okkyung Lee, Tony Conrad, and New Humans with Vito Acconci. Yeh is also a trailer editor and programmer at Spectacle Theater, Brooklyn.

Messages is the New York duo of Taketo Shimada & Tres Warren. Mirage is the third full-length release by Messages, recorded in 2008 before their first two albums and has remained unreleased until now. This record documents the duo’s earliest long-form drone explorations and intonations, most of which were recorded during long sessions in Tres’ basement bunker in the East Village. Mixing orbits of homemade acoustic instruments, electric drones & percussion, Mirage is a humid transmission sent straight from the womb.