Richard Telles presents an exhibition of new work by Ballroom alum Dan Finsel, his first solo exhibition with the Los Angeles gallery.

“E-THAY INWARD-YAY OURNEY-JAY”

MARCH 16 – APRIL 20, 2013

Opening reception: Saturday, March 16th, from 5 to 7pm

From the press release [PDF]:

The installation features mandala paintings, large-scale photographs on which paint was applied, and three table-like sculptures, among other works, all of whose details feature a vocabulary of symbols intertwined by Finsel’s internal logic. He developed this symbology while performing the exercises described in the book The Inward Journey / Art as Therapy for You by Margaret Frings Keyes (1974), which was found in his parents’ book collection. Finsel’s new body of work departs from his last in surface content but continues to employ an interpretation of method acting techniques to inhabit hidden aspects of himself. In doing so, he undergoes almost “extreme” subjective altering processes. By displacing his current self, he grafts “logically” determined psychological attributes/motives—depending on the reference material—to his thinking. Thus by determining the psychology of a subject “who would create this work”, Finsel sees not only the elements of his performance as furthering an intended motive of meta-narrative and authorial play, but allows, in retrospect, for access to recesses of self that until now were previously unknown.

Keep reading at Richard Telles Fine Art.

I personally witnessed the symbolic and actual subjugation of entire populations in the Former Yugoslavia in 1994 and in Iraq in 2004The Herald found that despite multiple witnesses coming forward, neither police detectives nor the medical examiner interviewed them until the newspaper began asking questions about the case this past spring.
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Outlook: Giampietro, a former lower level coach in the program, takes over and is aiming to lead the Tigers back to the postseason.
These increased concentrations are considered the primary factor in global warming, because carbon dioxide absorbs infrared radiation.
But Elway had a set price for the position that has become the defensive equivalent of the running back.
I’m not sure I can really blame them.

Once it is dry, remove the masking tape from the sides, paint the edges and varnish.

Ballroom Marfa Drive-In and Vizcaino Park Master Plan

In last week’s edition of our local paper, the Big Bend Sentinel, Fort Davis-based columnist and historian Lonn Taylor asked questions about the ongoing Ballroom Marfa Drive-In project, shedding light on the history of drive-in movie theaters in the process.

“The popularity of drive-ins was a function of the baby boom that followed World War II, when many young families had noisy children,” he writes. “Drive-in owners added playgrounds for the children and concession stands, some of them serving full meals, for adults. Even Marfa, with a population of 3,600, had a drive-in, which opened in 1953 just west of the cemetery and closed six years later.”

He goes on to wonder about the lessons learned from other developers who have tried to launch projects in our Far West Texas town, specifically the failure of the Brite family to establish a Disciples of Christ community in the World War II-era, an exercise that included enticing believers with the work of architect Leighton Green Knipe, who, as Taylor writes, “gave them a magnificent building whose sanctuary will seat five hundred people.” A building which, after the thriving congregation failed to materialize, “now stands empty on the west side of the courthouse square.”

Taylor also considers the more well-known story of Donald Judd’s arrival in the early ’70s and the 40 years in between that turned, in Taylor’s words, “a drought-blighted cattle town into an international art center.”

Ballroom’s Director of External Affairs & Drive-In Project Manager Melissa McDonnell responded with a letter clarifying that the Drive-In project — encompassing a rehabilitation of the entire 21-acre site at Vizcaino Park — goes beyond the historical models discussed by Taylor …

“The Drive-In project also includes a master plan for Vizcaino Park, which has come out of discussions with Presidio County and community members. The master plan looks at the entire park and identifies needed improvements for existing park structures, such as the baseball field bleachers and locates new recreational spaces such as a soccer field and possibly a skate park. Other organizations such as Big Bend Soccer Association and El Cosmico have expressed interest in participating in the development of these new spaces.

“The Drive-In theater space is for all community organizations to use and program,” she continues. “While Ballroom Marfa will have programming that includes film screenings, concerts and operas, the facility will be available for local organizations to host movie screenings, high school graduations, music concerts, plays, etc.”

Further discussion and exploration of this ongoing project is encouraged from all members of our community. Vistors are welcome to stop by the Drive-In Project space at the Ballroom offices, next door to Marfa Studio Arts at 106 San Antonio. Melissa is also available for comments and questions about the Drive-In project at [email protected] or 432-729-3600. You can also find out more at the Drive-In section of the Ballroom website.

Click here for the full text of Taylor’s column. Click here for Melissa’s response, which we’ve included in full after the jump …

Many thanks to Ballroom Marfa intern Cristina Garcés for this translation

Ballroom Marfa está orgulloso de anunciar la inauguración, de New Growth, una exposición
individual del nuevo trabajo de Rashid Johnson, el 8 de mayo. En ella, Johnson combina desde
un punto de vista personal e histórico materiales de la tierra, como manteca de Karité y jabón
negro con otros objetos como pueden ser portadas de discos y libros en complejas instalaciones
que confunden la uniformidad de la identidad colectiva y la representación multicultural.
Partiendo de la pregunta, “Qué pasaría si Sun Ra, George Washington, Carver y Robert Smitth
crearan una comunidad juntos en el desierto?” New Growth’s juega entrelazando cosmología,
evasión e irrigación en una recontextualización de las líneas entre el pasado, presente y futuro
en el desierto de Marfa.

La manipulación física del biomaterial en una forma abstracta y estetizada es un concepto que
se manifiesta a través de las obras expuestas, con referencias a la constante transformación y
rehabilitación de los cuerpos, los paisajes y las identidades incrustadas en ellos. Esto se aprecia
de manera más dramática en la instalación al aire libre en la que se riega la arena bañada por el
sol del patio con manteca de karité: la terraformación de Arrakis funciona en miniatura aquí en
los pastizales del desierto del lejano West Texas.

En consonancia con los objetivos de Ballroom Marfa, New Growth, contará con un nuevo trabajo
comisariado que incluye el vídeo Samuel in Space y Shea Butter Irrigation System -ambos
producidos durante la estancia del artista en Marfa. Obras en cera, madera quemada, azulejos y
espejos así como sillas de metal, madera y alfombras completan la exposición.

Un programa de cine comisariado por Rashid Johnson, en colaboración con Josh Siegel,
comisario del MoMA, se proyectará a lo largo de la exposición. Este programa contará
con Sweet Sweetback’s Baadasssss Song (1971) de Melvin Van Peebles, Space in the Place (1974)
de John Coney y Sun Ra y The Brother From Another Planet (1884) de John Sayles
además de una noche de cortometrajes.

Para inaugurar New Growth, Ballroom Marfa será la sede de un fin de semana de festejos,
incluyendo una noche de apertura, el 8 de marzo de 6 a 8 pm. La recepción también cuenta con
la actuación de multi-instrumentista y leyenda de la música El’Zabar Kahil y saxofonista Hamiet
Bluiett, cuyos estilos musicales van desde el avant-garde al bebop. Inmediatamente después de
la recepción de apertura tendrá lugar una cena abierta al público en el Capri. Además, el sábado
9 de marzo a las 11:30 am el artista hará una visita guiada de la exposición.

Todos los eventos son gratis y abiertos al público.

New Growth, ha sido posible gracias al apoyo de la Andy Warhol Foundation for the Visual

Arts; la National Endowment for the Arts: Brown Foundation, Inc., Houston; Texas Comission
on the Arts, Meyer Levy Charitable Foundation y Hauser & Wirth Gallery que generosamente
contribuyen como socios de Ballroom Marfa.

The Seen, “Chicago’s International Art & Design Blog,” reviews Rashid Johnson’s New Growth…

“… The extreme dry landscape led Rashid to create his largest sculpture to date, The Shea Butter Irrigation System, an altered irrigation system, like those found in agricultural fields. Heated by the sun, the large cubes of shea butter slowly drip onto the ground. Shea butter is a moisturizing emollient derived from a plant native to West Africa and it has become one of Rashid’s signature materials for its multivalent associations with his own life, Afrocentrism, and healing properties. As the shea butter drips onto the rocky, dry Texas earth, the work questions what will metaphorically grow, with the introduction of a foreign substance such as the shea butter. The immense scale and location of this work outdoors in the Ballroom Marfa courtyard veers Rashid into the territory of land art and earthworks akin to that of Richard Serra, Robert Smithson, and Robert Morris, opening up an entirely new dialogue around his work.”

Keep reading at The Seen.

Among her commissions, “Troubadours” has been her biggest success

She especially enjoyed telling human centered stories about the work officers were doing, she said.

Cité principale New Phoenix se situe en Arizonia.
Para Jordania ha supuesto un aut revulsivo la sustituci como seleccionador del iraqu Adnan Hamad por el egipcio Hossam Hassan, disc del legendario t Mahmoud el Gohary, quien revolucion al conjunto jordano durante el decenio.
Tucson: Bailey Johnson

Academy of Tucson: James Gorman.
Introduction à l’algèbre linéaire

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Plans de développement de la recherchetudier aux cycles supérieurs

Postes en recherche

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If you need a lovely post-SXSW hang in the desert, there are a few tix left for Jeff Mangum in Marfa! www.ballroommarfa.org/item/126/

— Jack McFadden (@tigermountainbk) March 6, 2013

True for now, but not forever! Also thankfully available without the whole SXSW part.

How do they knowvesicles budded off the gogli complex.
It’s kind of hard to miss them.
The focus was on the quality of the food.

En tlvision, “Transparent” d’Amazon a t sacr meilleure srie comique, un premier “Globe” pour le gant du commerce en ligne.

Storm football director Frank Ponissi revealed this week McLean was selected by Barrett’s but turned down the offer as he didn’t want to leave his girlfriend at this important time.
Of course, but there are also bad parents, and well, bad kids.
In the second overtime the Bulls were too much for Michael Carter Williams and Giannis Antetokounmpo as Chicago was able to secure the 113 106 victory.

More photos to come next week … thx to Rob Crowley for these teasers.

Theresa Jordan is a minister’s daughter and the fianc of Pastor LandrisI asked him, do you continue on in life after such a devastating loss.
We found that this perception of variety in one activities has the same effect on happiness and satisfaction.
3, as Connor McDavid and Jack Eichel aren going to fall out of the top two.
Use your body, find your health and restore that energy of your youth.

Vo is graduating from Chapman this week with a bachelor of science degree in biochemistry and molecular biology, at the age when most students are just beginning college.
Anam The Good Muslim: Bangladeshi Islam, Secularism and the Tablighi Jamaat.
Junior squads are meant for athletes that are in ninth and tenth grade, while the varsity squad is reserved for upperclassmen, occasionally allowing younger girls to join the squad if they are very talented.

It might seem like all of the heat is happening on Friday night, but rest assured that your Marfa weekend lasts long past cleaning your plate at the community dinner …

• Early risers can join Rashid Johnson for an exhibition walk-through at Ballroom Marfa on Saturday, March 9, at 11:30am. The video above from a walk-through of his solo exhibition, Message To Our Folks, at the Miami Art Museum suggests the sort of in-depth background on offer.

• Binder Gallery opens its doors March 2/8/9 from 12-5PM. Featuring new work from Marfa-based artist Sam Schonzeit as well as recent paintings from Robert Terry and “unique digital prints from tumblr glitches” by John Pomara.

• Meanwhile, down at Fort D.A. Russell the Chinati Foundation is offering self-guided visits during the following hours, Wednesday through Sunday: from 9:00 AM – 5:00 PM the 15 outdoor works in concrete will be accessible, and from 2:00 – 4:00 PM the two former artillery sheds, housing Judd’s 100 works in mill aluminum, will be open. For more information visit www.chinati.org.

• Sunday afternoon from 2-6p is your four hour window of opportunity to receive a $15 spirit guide reading from local clairvoyant Daeryl Holzer at FREDA:

Largest Courtyard Installation in Ballroom History from Ballroom Marfa on Vimeo.

A time-lapse video of the Valley Irrigation crew setting up a central pivot irrigation system in the courtyard — the largest installation in Ballroom’s 10-year history — for Rashid Johnson’s New Growth solo exhibition. Video by Yoseff Ben-Yehuda.

Listen to Ballroom Director Fairfax Dorn’s conversation with the Brooklyn-based artist this Friday at 10am on Marfa Public Radio’s Talk at Ten program. Then join us for the opening reception and community dinner starting at 6pm on Friday evening. An exhibition walkthrough with Johnson takes place on Saturday. Find full details at the New Growth page.

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With the roster featuring a slew of starting pitchers, Pries is destined for another season in Class AAA Tacoma, but he also wants to show McClendon that he is capable.
Sigler, Clair Luvena Smith, Jordan Straughn Smith, Ashley Denise Snyder, Travis Ross Sorensen, Judith L.
Dans d’autres, l’étudiant s’assume, en a déjà parlé à son entourage, mais a envie de s’investir au delà de ses études

Jordan: J’ai fréquenté le CHEL pour me faire un réseau d’amis autres que les copains de classe.

Families won’t be lacking for activity in the Shuswap region.

On October 5, 2006, the World Saxophone Quartet, led by legendary baritone saxophonist Hamiet Bluiett, played this intense set at Lovejoy High School in the town in Illinois where Bluiett attended school six decades before.

Kahil El’Zabar and the Ethnic Heritage Ensemble, delivering a righteous percussive workout in 2005 at Teatro Fondamenta Nuove in Venice, Italy.

Bluiett performs with El’Zabar at the opening reception of Rashid Johnson’s New Growth, 8 March 2013, at Ballroom Marfa. Hear more music from the two icons this Friday morning at 10:30a, right after Ballroom Executive Director Fairfax Dorn’s conversation with Johnson on KRTS Marfa’s Talk at Ten.

They’ve been through petitions and hearings and seemingly endless waiting periodsChristie known as a big spender on road

How much did the trip to Dallas this past weekend cost for the Christie party and his security detail.
You’ll know it has cooled enough when you see the air vent lock drop.
I assume this is a record that you would hold in perpetuity, since otherwise you’d probably take the record that would be impossible for someone else to break (MLB career wins, for example).
But miles away from everything she knows, is she following her heart.
School leaders recognize the two have much in common and complementary strengths.

Netanyahu’s right wing Likud Party won re election in Israel’s national ballot, although it will take some horse trading to form a government with partners.

Recommended reading from Parkett 90: Infinite Blackness by Tom Morton of magazine. An excerpt:

Johnson’s sculptures, photographs, and videos proceed through reference and sheer density of information. His best-known works, shelf-like wall pieces such as Wanted (2011), gather together found items that allude variously to African American intellectual history, pop culture, the anointing of the skin, the free circulation of ideas, and the unstable stuff of value. Stacked books are a regular feature, here, their titles (The Souls of Black Folk, Death by Black Hole, Time Flies) and prominent African American authors (sociologist and civil rights activist W.E.B. Du Bois, astrophysicist Neil deGrasse Tyson, the complicatedly conservative comedian Bill Cosby) speaking of whole explosive cosmoses contained within their covers, like energy packed in a hydrogen atom. LP sleeves are also common, including artists like the psychedelic funk outfit Parliament and soul singer turned pastor Al Green. Shea butter is also common—the substance is derived from the African shea nut that is used in moisturizers and cosmetics, in Johnson’s work it recalls Joseph Beuys’ magically charged measures of fat. Houseplants also appear on the shelves, alongside CB radios and ordinary stones transformed into “space rocks” by a coat of gold spray paint. Taken together, we might imagine these things as agents of change. By their grace, a mind is expanded, and a soul gladdened. Rough skin is softened, and carbon dioxide transformed into oxygen. A silence is broken, and dull geology gleams and glitters.

Keep reading, via Hauser & Wirth.